{"id":113,"date":"2018-12-06T09:30:51","date_gmt":"2018-12-06T09:30:51","guid":{"rendered":"http:\/\/conferinte.artes-teatru.ro\/?page_id=113"},"modified":"2018-12-06T09:35:38","modified_gmt":"2018-12-06T09:35:38","slug":"sectiunile-conferintei","status":"publish","type":"page","link":"https:\/\/conferinte.artes-teatru.ro\/?page_id=113","title":{"rendered":"Sec\u021biunile conferin\u021bei"},"content":{"rendered":"

I. Sec\u021biunea<\/strong>
\n1918 \u2013 2018 IMAGINI DIN LUMEA TEATRULUI<\/strong><\/p>\n

 <\/p>\n

prof. univ. dr. habil ANCA DOINA CIOBOTARU – <\/strong>Mo\u0219tenirea Mentorilor<\/p>\n

doctorand VASILE IONESCU – <\/strong>\u021aiganul, ca om interimar, marionet\u0103 \u0219i supramarionet\u0103 (\u0218oc cultural \u0219i recurs la teoria jocului (manipul\u0103rii \u0219i intermedierii))<\/p>\n

lect. univ. dr. OANA SANDU<\/strong> – Chiri\u021ba \u00een provincie- Radiografia unui secol<\/p>\n

colaborator C\u0102LIN CHIRIL\u0102<\/strong> – De la document, la fic\u0163iune<\/p>\n

 <\/p>\n

II. Sec\u021biunea<\/strong>
\nPORTRETELE C\u0102UT\u0102TORILOR<\/strong><\/p>\n

 <\/p>\n

prof. univ.dr. ANCA-MARIA RUSU<\/strong> – Cercetarea doctoral\u0103 la Ia\u015fi. Improviza\u0163ia \u2013 studiu de caz<\/p>\n

prof. univ. dr. habil. AURELIAN B\u0102L\u0102I\u021a\u0102<\/strong> – Matei Vi\u0219niec, Doctor Honoris Causa al U.N.A.G.E Ia\u0219i<\/p>\n

doctorand LAURA TERENTE<\/strong> – Modernitatea unui curs de art\u0103 dramatic\u0103 la \u00eenceput de secol XX<\/p>\n

doctorand DALIA-SIMONA RUSU-PIERSIC<\/strong> – Biblioteca U.N.A.G.E. \u2013 Instrument de cercetare \u00een evolu\u021bia unui t\u00e2n\u0103r artist<\/p>\n

doctorand CRISTINA R\u0102DULESCU<\/strong> – Ideologie vs. reteatralizare. Teatrul Na\u0163ional \u201eVasile Alecsandri\u201d Ia\u015fi. Documentar 1947-1971<\/p>\n

doctorand ALINA DINC\u0102-PU\u0218CA\u0218U<\/strong> – R\u0103d\u0103cini din secolul XIX ale scenografiei ie\u0219ene, care au marcat arta spectacolului \u00een Teatrul din Ia\u0219i<\/p>\n

lect. univ. dr. LAURA BILIC<\/strong> – Dramaturgia \u2013 oglind\u0103 a societ\u0103\u021bii<\/p>\n

doctorand CRISTI AVRAM<\/strong> – \u0218tefan Oprea \u2013 profilul unui cercet\u0103tor autentic<\/p>\n

 <\/p>\n

 <\/p>\n

III. Sec\u021biunea<\/strong>
\nDESPRE CERCETAREA TEATRAL\u0102.R\u0102D\u0102CINI \u0218I PERSPECTIVE<\/strong><\/p>\n

 <\/p>\n

lect. univ. dr habil. C\u0102LIN CIOBOTARI<\/strong> – Cercetare teatral\u0103, \u00eentre a fi \u0219i a nu fi\u2026<\/p>\n

prof. dr. EUGENIA PA\u015eCA<\/strong> – De la text dramatic la oper\u0103<\/p>\n

conf. univ. dr. RALUCA BUJOREANU-HU\u021aANU<\/strong> – Aspecte definitorii \u00een formarea personalit\u0103\u021bii artistice a actorului teatrului de anima\u021bie<\/p>\n

prof. univ. dr. ION MIRCIOAG\u0102<\/strong> – O ipotez\u0103 de spectacol: \u201eLut\u201d \u2013 ac\u0163iunea de a povesti<\/p>\n

lect.univ.dr. DUMITRIANA CONDURACHE<\/strong> – Noi paradigme. Atomizarea granitelor dintre arte<\/p>\n

doctorand CARMEN ANTOHI<\/strong> – Editura Artes \u2013 Promotor al cercet\u0103rii academice<\/p>\n

lector univ.dr. BOGDAN-MIHAI ANGHEL, doctorand ADRIANA BUJOR<\/strong> – Teatrul \u0219i Industriile Creative<\/p>\n

doctorand IVONA LUCAN<\/strong> – Introducere \u00een noul val de independen\u021b\u0103 teatral\u0103 din Rom\u00e2nia<\/p>\n

doctorand RAMONA IACOBU\u021aE<\/strong> – Independent acum. Noi practici teatrale \u00een Rom\u00e2nia secolului XXI<\/p>\n

doctorand LENU\u0218 RADU<\/strong> – Cercetare \u0219i pedagogie teatral\u0103 \u00een mediul preuniversitar<\/p>\n

 <\/p>\n

 <\/p>\n

IV. Sec\u021biunea<\/strong>
\nINTERFEREN\u021aE<\/strong><\/p>\n

 <\/p>\n

dr. cercet\u0103tor \u0219tiin\u021bific (gradul III) LIVIU PETCU<\/strong> – P\u0103rin\u021bii Patericului \/\u03a7\u03ac\u03c1\u03b9\u03c3\u03bc\u03b1 \u03c4\u03bf\u03c5 \u03bb\u03cc\u03b3\u03bf\u03c5<\/p>\n

lect. univ. dr. MIHAI FUSU<\/strong> – Continuitate \u0219i identitate. Despre Sistemul Stanislavski \u0219i Method Acting \u00een America<\/p>\n

lect. univ. dr. IOANA PETCU<\/strong> – Cercet\u0103tori ie\u0219eni, gravit\u00e2nd \u00een jurul lui Shakespeare<\/p>\n

lect. univ. dr CRISTINA TODI<\/strong> – Despre cercetarea teatral\u0103 \u2013 r\u0103d\u0103cini \u0219i perspective<\/p>\n

lect. univ. dr EMANUEL FLORENTIN<\/strong> – Mimul: limite \u0219i libert\u0103\u021bi<\/p>\n

colaborator TAMARA CONSTANTINESCU<\/strong> – Fantastic \u1e63i oniric ionescian<\/p>\n

lect. univ. dr. VASILICA B\u0102L\u0102I\u021a\u0102<\/strong> – \u0218coala ca laborator<\/p>\n

asist. univ. dr. IULIANA MORARU<\/strong> – Orient\u0103ri psihopedagogice \u00een procesul de formare a studentului \u2013 actor<\/p>\n

lect. univ. dr COSMIN-MIHAI IA\u021aE\u0218EN<\/strong> – Stiluri, tehnici \u0219i interpret\u0103ri \u00een crearea p\u0103pu\u015filor Bunraku<\/p>\n

doctorand FLORIN CARACALA<\/strong> – Teatralitatea \u00een \u00eenceputul erei postumanului<\/p>\n

doctorand ALICE-IOANA FLORENTIN<\/strong> – Metode de lucru combinate \u00een predarea mi\u0219c\u0103rii scenice<\/p>\n

doctorand ALEXANDRA BANDAC<\/strong> – Interferen\u021be \u0219i conexiuni \u00eentre teatrul \u0219i proza lui Samuel Beckett \u2013 c\u00e2teva ipostaze ale cercet\u0103rii<\/p>\n

doctorand BIATRICE COZMOLICI<\/strong> – \u0218ase axiome ale teatrului ambiental \u2013 idee, spa\u021biu \u0219i form\u0103 \u00een teatrul de anima\u021bie performativ<\/p>\n

prof. univ. dr. CIPRIAN HU\u021aANU<\/strong> – Despre rolul novator al obiectului animat \u00een scena de teatru dramatic<\/p>\n

conf. univ. dr. DORU ZAHARIA<\/strong> – Beneficiile existen\u0163ei re\u0163elelor culturale tematice europene<\/p>\n

conf. univ. dr. IRINA SCUTARIU<\/strong> – Expresivitatea vorbirii actorului pe \u0219i \u00eenafara scenei<\/p>\n

prof. univ dr. habil. ALEXANDRU BOUREANU<\/strong> – ABC actorice\u0219ti exploratorii prin Haiku<\/p>\n

Conf. univ. dr. GELU BADEA<\/strong> – Despre pedagogie: teatrul genera\u021bional<\/p>\n

lect. univ. dr. LIA CON\u021aIU<\/strong> – Aspecte teologice \u0219i filozofice ale nebunului \u00een Anglia<\/p>\n

lect. univ. dr. DORU AFTANASIU<\/strong> – Personajele shakespeariene<\/p>\n

lect. univ. dr. ANCA CIOFU<\/strong> – Corpul actorului folosit ca spa\u021biu de joc pentru obiectul animat (prin prisma concep\u021biilor artistice ale lui Nicolas Gousseff)<\/p>\n

lect. univ. dr. ANTONELA CORNICI<\/strong> – Monologul \u00een textul dramatic \u0219i \u00een spectacol<\/p>\n

lect. univ. dr. IOANA BUJOREANU<\/strong> – Cenzura \u00een teatre. Analiza sistemului<\/p>\n","protected":false},"excerpt":{"rendered":"

I. Sec\u021biunea 1918 \u2013 2018 IMAGINI DIN LUMEA TEATRULUI   prof. univ. dr. habil ANCA DOINA CIOBOTARU – Mo\u0219tenirea Mentorilor doctorand VASILE IONESCU – \u021aiganul, ca om interimar, marionet\u0103 \u0219i supramarionet\u0103 (\u0218oc cultural \u0219i recurs la teoria jocului (manipul\u0103rii \u0219i intermedierii)) lect. univ. dr. OANA SANDU – Chiri\u021ba \u00een provincie- Radiografia unui secol colaborator C\u0102LIN CHIRIL\u0102 – De la document, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":107,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-113","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=\/wp\/v2\/pages\/113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113"}],"version-history":[{"count":4,"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=\/wp\/v2\/pages\/113\/revisions"}],"predecessor-version":[{"id":118,"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=\/wp\/v2\/pages\/113\/revisions\/118"}],"up":[{"embeddable":true,"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=\/wp\/v2\/pages\/107"}],"wp:attachment":[{"href":"https:\/\/conferinte.artes-teatru.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}